ŁATO

TM

San-serif
Łukasz Ðzieðzic
2010

Lato is a sanserif type­face fam­ily designed in the Sum­mer 2010 by Warsaw-​​based designer Łukasz Ðziedzic (“Lato” means “Sum­mer” in Pol­ish). In Decem­ber 2010 the Lato family was pub­lished under the open-​​source Open Font License by his foundry tyPoland, with sup­port from Google.


ŁUKASZ ÐZIEÐZIC

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The Lato font fam­ily was designed by Łukasz Dziedzic, a Warsaw-​​based type designer with a num­ber of retail and cus­tom font fam­i­lies to his credit (FF Clan, FF Good, FF Good Head­line, FF Mach, FF More, FF Pitu, empik, getin). His friend Adam Twar­doch, a font devel­oper and typo­graphic activist, did some tech­ni­cal work on the final font files, some project admin­is­tra­tion, some writ­ing, and gen­er­ally tried to keep Łukasz happy. The good folks at the Google Web Fonts lent their sup­port to the project so that the Lato fonts could be released under the SIL Open Font License (which means: they are free now!). Dave Cross­land piloted the project and has helped us with his good spirit. All type design and most of the font tech­ni­cal work was done in Font­Lab Stu­dio 5, Łukasz’s favorite instru­ment of self-​​torture. Some True­Type auto­hint­ing was done using FreeType ttfau­to­hint by Werner Lemberg.


IN 2010, ŁATO CONSISTED OF

FIVE WEIGHTS
Łato Hairline Łato Light Łato Regular Łato Bold Łato Black Łato Italics

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HISTORICAL BACKGROUND

In the last ten or so years, dur­ing which Łukasz has been design­ing type, most of his projects were rooted in a par­tic­u­lar design task that he needed to solve. With Lato, it was no dif­fer­ent. Orig­i­nally, the fam­ily was con­ceived as a set of cor­po­rate fonts for a large client — who in the end decided to go in dif­fer­ent styl­is­tic direc­tion, so the fam­ily became avail­able for a pub­lic release. When work­ing on Lato, Łukasz tried to care­fully bal­ance poten­tially conflicting priorities.


TŸPE

CHARACTERISTICS

Lato con­sists of five weights (plus cor­re­spond­ing ital­ics), includ­ing a beau­ti­ful Hair­line style. The Hair­line should, of course, be used only in very large sizes.
Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Zz